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Annika Earley (she/they) makes works on and out of paper about desire and devotion within domestic spaces. Her narratives play out through the strange and mundane rituals of her  many-faced alter-ego named Batshit. She often uses German fairy and folk tales and Medieval imagery as reference points in her work.

Earley grew up in rural Switzerland but moved to mid-coast Maine in 2000. When she was very young, she used to play in the woods; there she found a small, shingled hut with tiny windows and a locked door. Raised on Grimm stories, Earley was absolutely certain that this must be a witch’s house and proceeded to avoid it at all costs as she had no interest in being baked into a pie. At age twenty, she returned to Switzerland for the first time after ten years and discovered that this hut was not a witch’s house but, in fact, a storage shed belonging to the forestry department of her village. This experience continues to have a profound impact on her work.

Earley holds an MFA from Maine College of Art and an M.Phil from College of the Atlantic. They have been a resident at the Ellis-Beauregard Foundation in Rockland, ME, Hewnoaks Artist Colony in Lovell, ME, Monson Arts in Monson, ME, Pace House Residency in Stonington, ME, the Walkaway House in North Adams, MA, and Surf Point, in York, ME.

Earley has been supported by the St. Botolph Foundation in Boston, MA, the New York Foundation for the Arts, The Albert K, Murray Fund, SPACE Gallery’s American Rescue Plan Grant, and the Kittredge Fund. Earley’s work is in the collections of the University of Southern Maine and the College of the Atlantic and has been most recently exhibited at Palladium/Athena Project in Brooklyn, NY and Working Loose in Blue Hill, ME. Earley currently lives in Belfast, ME.